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Harry Styles Sign of the Times Album Art Harry Styles Sweet Creature

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2017 studio album by Harry Styles

Harry Styles
Harry Styles is half submerged in a pastel pink bath, both his hands cover his face while his back faces the viewer. Around his neck are two silver necklaces, with one of them flipped to his back to show a tiny lotus flower pendant.
Studio album past

Harry Styles
Released 12 May 2017 (2017-05-12)
Recorded 2016
Studio
  • Gee Jam (Port Antonio, Jamaica)
  • The Village (Los Angeles)
  • Enormous (Venice, California)
  • Harpoon'southward Befouled (Los Angeles)
  • Erskine House (London)
Genre
  • Soft rock
  • Britpop
  • pop
  • rock
Length forty:xviii
Label
  • Erskine
  • Columbia
Producer
  • Jeff Bhasker
  • Kid Harpoon
  • Tyler Johnson
  • Alex Salibian
Harry Styles chronology
Harry Styles
(2017) 		Fine Line
(2019)
Singles from Harry Styles
  1. "Sign of the Times"
    Released: vii April 2017
  2. "Ii Ghosts"
    Released: 7 August 2017
  3. "Kiwi"
    Released: 31 Oct 2017

Harry Styles is the eponymous debut studio anthology by English vocalist and songwriter Harry Styles. The album was released on 12 May 2017, through Columbia Records and Styles' own label, Erskine Records.[i] [ii] For the album, Styles worked with producers Jeff Bhasker, Alex Salibian, Tyler Johnson and Child Harpoon.

Lyrically, Harry Styles' themes is dominated by focus on women and relationships. The record has been described past diverse publications as influenced past music from the 1960s and 1970s, including archetype rock and vocaliser-songwriter ballads. It was preceded by the release of its lead single, "Sign of the Times", while "2 Ghosts" and "Kiwi" served as the second and third worldwide singles, respectively. In support of the album, Styles embarked on his first headlining concert bout, Harry Styles: Live on Tour.

The album received generally positive reviews from music critics and debuted atop the charts in several countries, including Australia, Canada, the UK and the U.s.. It has been certified platinum in the UK, the The states, Australia, Canada, Italian republic, Brazil, Denmark, Poland, and Mexico. According to the International Federation of the Phonographic Industry (IFPI), Harry Styles was the ninth global best-selling album of 2022 with sales of one million copies.

Background

In August 2015, Ane Management appear that an extended hiatus would take identify following the release of their fifth studio anthology.[3] In Jan 2016, The states Weekly published a report claiming that the group'due south hiatus would, in fact, become a permanent carve up, noting that each of the iv remaining grouping members did not renew their contracts following the completion of the On the Road Again Tour in Oct 2015.[four] Representatives for the group denied the report in a argument to Billboard, stating, "nothing has changed regarding hiatus plans for the group, and all will be revealed in due time from the band members' own mouths."[5] [6]

In February 2016, it was confirmed that Styles had left the group'southward management,[seven] becoming the second member of the band to exercise so later on Zayn Malik's divergence near a year prior.[viii] In June, it was confirmed that Styles had signed a recording contract with Columbia Records.[9]

Styles enlisted American producer Jeff Bhasker to executive produce the album. Nigh of the anthology is written by the ii with Bhasker associates producers Tyler Johnson and Alex Salibian, engineer/bassist Ryan Nasci, and guitarist Mitch Rowland; Rowland was introduced past Nasci when a session musician dropped out.[10]

Additionally, One Direction producer John Ryan helped write "Ii Ghosts" with Julian Bunetta and English singer-songwriter Kid Harpoon produced "Carolina" and "Sweet Creature". Johnson and Kid Harpoon would proceed to produce much of Styles' sophomore anthology Fine Line together.

Recording sessions for the album took identify in a number of locations, including in Los Angeles, London, and the Gee Jam Hotel Recording Studio in Port Antonio, Jamaica, where Styles and his production team had a two-calendar month writing retreat in the autumn of 2016.[11] The album was primarily recorded at The Hamlet in Los Angeles.

Promotion

On 31 March 2017, Styles appear the album's lead unmarried to exist "Sign of the Times", which was released on 7 Apr.[12] The album name, artwork, and rails listing were revealed on 13 April.[ane] The album track "Sweet Creature" was released as a promotional single on 2 May.[thirteen] [a] Styles performed the songs "Sign of the Times" and "Always Since New York" on the 15 April episode of Sat Dark Live.[21] On 21 Apr, Styles appeared on The Graham Norton Show for his outset televised solo functioning in his native country,[22] and guested on the French talk show, Quotidien, five days later on; he performed "Sign of the Times" on both shows. [23]

On nine May, Styles performed the tracks "Carolina", "Sign of the Times", "Ever Since New York", and a embrace of Ane Direction'southward "Stockholm Syndrome" on The Today Prove.[24] On 13 May, a day later the anthology'due south release, he held a surprise concert at The Garage in London.[25] [26] Styles held a like show at the Troubadour in Los Angeles on nineteen May, and invited Fleetwood Mac'southward Stevie Nicks to perform as a special guest. Gain from both shows were donated to charity.[27] On xv May, Harry Styles: Behind the Anthology was released exclusively on Apple Music, a 49-infinitesimal documentary pic showing footage from his writing and recording sessions in Jamaica and Los Angeles; The Performances version features a total-length live performance of the anthology filmed at London'due south Abbey Road Studios.[28] Styles was the musical guest on The Late Late Evidence with James Corden every night in the week spanning from 15 to 18 May, and performed in various sketches alongside Corden.[29] [30] In support of the anthology, Styles embarked on his first solo tour, Harry Styles: Live on Tour, which ran from September 2022 through to July 2022 and visited North America, Europe, Asia, Oceania, and South America.[31] On tour, Styles debuted 2 unreleased songs, "Oh Anna" and "Medicine", which were originally written for the anthology.[32]

Music and themes

"A lot of my influences, and the stuff that I love, is older... I didn't want to put out my first anthology and be similar, 'He's tried to copy the Sixties, Seventies, Eighties, Nineties.' Loads of astonishing music was written and then, but I'm not saying I wish I lived back then. I wanted to do something that sounds like me."

—Styles in Rolling Rock [33]

Music publications have described the anthology every bit soft stone,[34] rock,[35] Britpop,[36] and pop.[37] Critics noted influences by British classic rock[38] and singer-songwriter folk.[39] Diversity 's Eve Barlow described the album as a "cocktail of psychedelia, Britpop, and balladry",[xl] while for Jon Caramanica of The New York Times information technology "is steeped in the singer-songwriter music of the late 1960s and 1970s, and in moments, in the flamboyant harder stone of the tardily 1970s and 1980s."[41] Lyrically, the album's themes by and large focus on women and relationships.[33] [42] In a Rolling Stone interview with Cameron Crowe, Styles said "The one subject that hits the hardest is honey, whether it's ideal, romantic, loving it, gaining it, losing it...it always hits you hardest."[33]

The album opens with a soft music number,[41] "Run across Me in the Hallway", a psychedelic pop ballad performed with twanging guitars.[33] [42] "Sign of the Times" is popular stone, soft rock, "apocalyptic" ballad which musically encapsulates Styles' aspirations.[40] [43] The vaguely Caribbean groover track "Carolina" recalls Mistiness'south Britpop style;[43] [44] described by Styles as "the little bit of fun we had been wanting only didn't have" while making the album.[45] "Two Ghosts" is a land influenced soft rock ballad about old lovers.[34] Lullaby-like folk acoustic ballad "Sweetness Creature" discusses the strength of a bond that endures despite bad times.[42] [46] [47] The uptempo vocal "Merely Affections" veers towards glam rock.[34] [47] In rock song "Kiwi" he sings near a classic femme fatale.[48] A slower runway, the rock troubadour "E'er Since New York", features lyrics about meditation on loss and longing.[33] [40] "Woman" has elements of funk rock, in which Styles compares his jealousy to a howling beast.[43] [49] The acoustic closer track, "From The Dining Table", features lush, multi-part harmonies, and recalls the confessional style of the anthology'due south opener.[40]

Critical reception

Professional ratings
Aggregate scores
Source Rating
AnyDecentMusic? 6.5/x[51]
Metacritic 68/100[50]
Review scores
Source Rating
AllMusic [47]
The Daily Telegraph [52]
Entertainment Weekly B[46]
Evening Standard [53]
The Guardian [54]
The Independent [55]
Los Angeles Times [42]
NME [35]
Pitchfork half-dozen.8/10[56]
Rolling Stone [57]

At Metacritic, which assigns a normalised rating out of 100 to reviews from mainstream publications, the anthology has an boilerplate score of 68 based on 24 reviews, indicating "generally favorable reviews".[50] AllMusic critic Tim Sendra opined that the album works "exceedingly well" as a modern popular record and an extension of the sound and make of One Management, but "equally the kind of personal statement Styles wants to make, it comes very close, simply ultimately falls just brusk."[47] For Jason Lipshutz of Billboard, Styles "has opted to forego radio play and make a big, advised guitar album", arguing, "his commitment to conjuring the spirit of '70s rock never comes beyond as overreaching."[58] Rolling Rock 'south Rob Sheffield states that Styles "claims his turf as a true rock & curlicue prince" on his "superb solo debut".[57] Mikael Wood of Los Angeles Times wrote Styles "never overplays his hand on this winningly relaxed collection", but found the "dad-baiting" album to be "full of echoes of The Beatles, Pink Floyd and The Rolling Stones."[42] MusicOMH 'south John Irish potato commented that even though it occasionally "dips into bland pastiche", the anthology is a "fine solo effort", which "as the latest step in rebranding Styles for a brand new audition, it volition do merely fine".[59] Annie Zaleski of The A.5. Club felt Styles took a "assuming step forwards past leaning on the past", adding, "hopefully the songs will someday grab upwards to his appetite".[44] Rick Pearson of Evening Standard chosen it "a self-consciously serious and grown-upwards endeavor".[53]

Alexis Petridis of The Guardian stated that while "Styles is remarkably good as a confessional singer-songwriter [...] not all the anthology'due south musical homages piece of work".[54] Jon Caramanica of The New York Times felt the "sometimes smashing, sometimes foggy" album is "almost bold in its resistance to contemporary pop music aesthetics."[41] David Sakllah of Issue of Audio wrote "the missteps don't detract too much from this ambitious, if slightly unfocused, debut", as "he's certainly on the right track".[sixty] Mesfin Fekadu of Associated Press noted the performance attribute of the album is where Styles "truly shines", only "not so much" in the creative process.[61] Anjali Raguraman of The Straits Times called "Sign of the Times" the "strongest" track on the album and felt Styles sounds "nigh self-assured on the slower numbers", while noting that "his inexperience shows when he falls into tired tropes".[34] Regarding the use of tropes, Roisin O'Connor of The Independent was disappointed that Styles did not "interruption away from some of the more fatigued gender archetypes that dominate the rock music he conspicuously loves."[55] Shahzaib Hussain of Clash contended that Styles "[created] an immersive, reference-fuelled tribute to classic rock for the millennial generation", albeit "[offer] little in the way of innovation". Yet, Hussain singles out "Only Angel" and "Kiwi" for beingness "misfires", calling the tracks "a i-two punch of masochistic, rock swaggering, beauteous in its legerdemain, [that] ultimately comes undone by haphazard lyricism."[62] In a negative review, Dave Hanratty of Drowned in Sound felt that Styles "failed to brand a defining argument", writing that the album "from commencement to finish [...] is a series of impressions" of Elton John, Beck, Mick Jagger, and The Beatles.[63]

Neil McCormick of The Daily Telegraph wrote that, compared to the other 1 Management member'south solo careers, Styles' is "more eccentric just more appealing, with an endearing quality of relish in its musical adventures", calling the album "so old-fashioned it may actually come across as something new to its target audience" and "perfectly lovely and well-nigh as substantial every bit ripples on the surface of a Beverly Hills swimming pool".[64] Leah Greenblaat of Entertainment Weekly named Styles "a human proudly looking backward, a faithful revivalist steeped in the tao of dusty vinyl and dad stone" while noting that he "basks in the privilege of paying tribute to his many musical heroes, and trying on all the styles that fit".[65] Leonie Cooper of NME described the album every bit "a non-that-bad-actually mish-mash of Los Angeles' style classic rock and ballads", commenting that fans volition be "over the moon with this collection of radio-friendly rockers and heartstring tugging balladry" and "everyone else" volition exist "pleasantly surprised – if not a trivial taken aback at only how many tricks he's pinched from other artists". She ends the review by opining that "taking inspiration from the all-time seems to have paid dividends, only it doesn't half make you wonder what the real Harry Styles sounds like".[66] Jamieson Cox of Pitchfork wrote that the record "pays fine tribute to classic rock'north'curlicue and shows off his infrequent voice, if not his enigmatic persona", opining that his "vocal performances are invariably the best parts of these songs" while particuraly praising the anthology's last track, "From the Dining Table", writing that "information technology's intoxicating, and it ends Harry Styles on the most promising possible note".[67]

Year-stop lists

Commercial performance

The album debuted atop the U.k. Albums Nautical chart with beginning-calendar week sales of 57,000 units, with Styles becoming the second I Direction fellow member to accomplish a number ane solo anthology, following Zayn's Mind of Mine in April 2016.[81] It debuted at number one on the US Billboard 200 with 230,000 album-equivalent units, of which 193,000 were pure album sales.[82] It is the highest first sales week for a British male artist's debut full-length album since Nielsen SoundScan began in 1991.[82] Selling 67,000 units in its second week, information technology cruel down to number three.[83]

The album was ranked number 22 on the listing of the top 40 biggest albums of 2022 on the UK Anthology Chart.[84] It was the fourth best selling album by a British artist worldwide in 2017.[85] According to IFPI, it was the 9th best selling album of 2017, with 1 million copies shipped globally.[86] The anthology was Sony Music'south biggest global seller in the 2nd quarter of 2017.[87] It was the 6th best selling anthology of 2022 in Mexico.[88]

"Sign of the Times" reached number ane on the UK Singles Chart.[89] In the US, the song debuted at number four on the Billboard Hot 100[90] The 2d single, "Two Ghosts", peaked at number 58 on the United kingdom Singles Chart and number 34 on the United states of america Mainstream Top 40 charts.[91] [92]

Track listing

All tracks were produced past Jeff Bhasker, Alex Salibian, and Tyler Johnson, except where noted.[93]

No. Title Writer(s) Producer(s) Length
1. "Encounter Me in the Hallway"
  • Harry Styles
  • Tyler Johnson
  • Mitch Rowland
  • Jeff Bhasker
  • Alex Salibian
  • Ryan Nasci
 three:47
2. "Sign of the Times"
  • Styles
  • Johnson
  • Rowland
  • Bhasker
  • Salibian
  • Nasci
 v:40
3. "Carolina"
  • Styles
  • Johnson
  • Rowland
  • Bhasker
  • Salibian
  • Nasci
  • Thomas Hull
  • Kid Harpoon
  • Bhasker
  • Salibian
  • Johnson
 3:09
four. "Two Ghosts"
  • Styles
  • Johnson
  • Rowland
  • John Ryan
  • Julian Bunetta
 iii:49
5. "Sweet Animate being"
  • Styles
  • Hull
  • Harpoon
  • Bhasker[a]
  • Salibian[a]
  • Johnson[a]
3:44
vi. "Only Angel"
  • Styles
  • Johnson
  • Rowland
  • Bhasker
  • Salibian
  • Nasci
 4:51
vii. "Kiwi"
  • Styles
  • Johnson
  • Rowland
  • Bhasker
  • Salibian
  • Nasci
 2:56
8. "Always Since New York"
  • Styles
  • Johnson
  • Rowland
  • Bhasker
  • Salibian
  • Nasci
 four:13
9. "Adult female"
  • Styles
  • Johnson
  • Rowland
  • Bhasker
  • Salibian
  • Nasci
 four:38
ten. "From the Dining Table"
  • Styles
  • Johnson
  • Rowland
  • Bhasker
  • Salibian
  • Nasci
 three:31
Full length: 40:18

Notes

  • ^[a] indicates an additional producer
  • "Only Angel" contains a sample of dialogue from the motion picture Barfly.[93]

Personnel

Credits adapted from the liner notes of Harry Styles.[93]

Performers and musicians

  • Harry Styles – vocals, background vocals, claps (runway 6), guitar (rails 4), omnichord (rails 1, 4)
  • Steve Aho – orchestrator / conductor / musician contractor (tracks 3, 6, x)
  • Erik Arvinder – violin (tracks 3, 6, ten)
  • Jeffrey Azoff – groundwork vocals (rail half-dozen), claps (track six)
  • Kala Balch – alto vocals (tracks ii, half dozen)
  • Laurhan Beato – alto vocals (tracks 2, 6)
  • Jeff Bhasker – groundwork vocals (track vi), claps (rails 6), keys (tracks 2, 6, eight), lap steel (runway two), moog (rails 9), piano (tracks 1, ii, five)
  • Edie Lehmann Boddicker – gospel choirmaster (tracks ii, 6), alto (tracks 2, six)
  • Johnny Britt – tenor vocals (tracks 2, 6)
  • Reid Bruton – bass-baritone vocals (tracks 2, half dozen)
  • Caroline Buckman – viola (tracks 3, 6, x)
  • Charlean Carmon – soprano vocals (tracks 2, half-dozen)
  • Carmen Carter – soprano vocals (tracks two, 6)
  • Alvin Chea – bass-baritone vocals (tracks ii, 6)
  • Monique Donnelly – soprano vocals (tracks 2, 6)
  • Allie Feder – soprano vocals (tracks 2, half-dozen)
  • Vanessa Freebairn-Smith – cello (tracks 3, vi, 10)
  • Jim Gilstrap – bass-baritone vocals (tracks 2, 6)
  • Ira Glansbeek – cello (tracks three, 6, 10)
  • Taylor Graves – tenor vocals (tracks two, half-dozen)
  • Child Harpoon – background vocals (tracks 3, 5), bass (track 5), claps (track 3), guitar (rails v)
  • Clydene Jackson – alto vocals (tracks 2, 6)
  • Tyler Johnson – groundwork vocals (tracks vi and 7), claps (track 6), keys (runway 4), pianoforte (track 3)
  • Keri Larson – soprano vocals (tracks two, half-dozen)
  • Songa Lee – violin (tracks three, half-dozen and 10)
  • David Loucks – tenor vocals (tracks two, 6)
  • Jamie McCrary – tenor vocals (tracks 2, 6)
  • Ryan Nasci – bass (tracks one–four, half dozen–9), lap steel (track 3)
  • Diane Reynolds – soprano vocals (tracks 2, 6)
  • Mitch Rowland – acoustic guitar (track 10), groundwork vocals (tracks 3, 6 and 7), claps (track 6), cowbell (track vi), electric guitar (track three), guitar (tracks 1, 2, iv, 6–9), drums (tracks one–4, 6–nine)
  • Alex Salibian – acoustic guitar (runway 3), groundwork vocals (tracks half dozen and 7), claps (tracks 3, 6), keys (tracks 3, 8 and 9), pianoforte (tracks 3, 8 and 9)
  • Aretha Scruggs – alto vocals (tracks 2, 6)
  • Fletcher Sheridan – tenor vocals (tracks two, 6)
  • Katie Sloan – violin (tracks 3, 6 and 10)
  • Carmen Twillie – tenor vocals (tracks two, 6)
  • Ina Veli – violin (tracks 3, 6 and x)
  • Julia Waters – soprano vocals (tracks 2, 6)
  • Oren Waters – tenor vocals (tracks ii, 6)
  • Will Wheaton – bass-baritone vocals (tracks two, 6)
  • Michael Whitson – viola (tracks 3, half dozen and 10)
  • Baraka Williams – alto vocals (tracks two, 6)
  • Eyvonne Williams – alto vocals (tracks two, half dozen)

Production

  • Jeff Bhasker – executive product, production (tracks ane–four, vi–10), boosted product (rails 5)
  • Matt Dyson – banana engineering science
  • Chris Gehringer – mastering
  • Kid Harpoon – production (tracks 3, 5), technology (track 5)
  • Tyler Johnson – production (tracks 1, 3, 4, 6–10), co-production (rail ii), additional product (runway 5), programming (track 3)
  • Ryan Nasci – engineering, mixing (tracks 1, 4, 10)
  • Alex Salibian – production (tracks i, iii, 4, 6–10), co-production (track 2), additional production (rail five)
  • Mark "Spike" Stent – mixing (tracks 2, three, 5–ix)

Design

  • Calvin Aurand – specialty packaging photography
  • Jacob Hassett – graphic design
  • Molly Hawkins – creative director
  • Harley Weir – photography

Charts

Certifications

Run across also

  • List of Billboard 200 number-i albums of 2017
  • Listing of number-ane albums of 2022 (Australia)
  • List of number-1 albums of 2022 (Belgium)
  • Listing of number-one albums of 2022 (Ireland)
  • Listing of number-one albums of 2022 (Poland)
  • List of number-i albums of 2022 (Spain)
  • List of UK Albums Chart number ones of the 2010s

Notes

  1. ^ While some sources refer to "Sweet Creature" as the second unmarried,[14] [15] [xvi] [17] [18] Columbia Records noted that "Sign of the Times" was the current single when "Sweetness Creature" was released,[19] and an insider study indicates that "Two Ghosts" is Harry Fashion's second single.[20]

References

  1. ^ a b Kaufman, Gil (thirteen April 2017). "Harry Styles Self-Titled Debut Due May 12, Check Out Tracklist". Billboard . Retrieved 13 April 2017.
  2. ^ Trendell, Andrew (13 Apr 2017). "Harry Styles unveils artwork, tracklist and release engagement for debut solo album". NME . Retrieved 13 April 2017.
  3. ^ Lipshutz, Jason (25 August 2015). "1 Management Producer: Hiatus 'Wasn't Decided Merely Yesterday,' Impacted Upcoming Album". Billboard . Retrieved 27 Baronial 2018.
  4. ^ Blynn, Jamie (xiii January 2016). "Ane Direction Is Splitting, Extended Hiatus to Get a Permanent Break". Us Weekly. United States. Wenner Media LLC. Retrieved 18 April 2017.
  5. ^ Strecker, Eric (13 January 2016). "One Management Breakup Rumors: 'Nil Has Changed' Since Hiatus, Says Source". Billboard. U.s.a.. Prometheus Global Media. Retrieved 18 April 2017.
  6. ^ Hegarty, Tasha (13 January 2016). "Ane Management deny their 'hiatus' is a permanent carve up". Digital Spy. United Kingdom. Retrieved 18 April 2017.
  7. ^ Schneider, Marc (one February 2017). "Harry Styles Splits With One Management'due south Direction, Joins Azoff". Billboard . Retrieved 18 April 2017.
  8. ^ Abbey, Lewis (25 March 2015). "I Direction: Zayn Malik Confirms Departure From Band". Inveterate. Archived from the original on 29 March 2015. Retrieved xviii April 2017.
  9. ^ Halperin, Shirley (23 June 2016). "Harry Styles Signs a Solo Record Deal With Columbia: Exclusive". Billboard . Retrieved 18 Apr 2017.
  10. ^ Rainbird, Ashleigh (12 May 2017). "Harry Styles to make former pizza male child millions". mirror . Retrieved xiii April 2022.
  11. ^ Spanos, Brittany (18 April 2017). "7 Things We Learned About Harry Styles' Debut Solo Anthology". Rolling Stone . Retrieved 19 April 2017.
  12. ^ Tom, Lauren (31 March 2017). "Harry Styles Debuts Cover Art for First Solo Single, 'Sign of the Times'". Billboard . Retrieved 13 April 2017.
  13. ^ Blistein, Jon (two May 2017). "Hear Harry Styles' Sweeping New Folk Song 'Sweet Animal'". Rolling Stone . Retrieved 2 May 2017.
  14. ^ Luke Morgan, Britton (ii May 2017). "Mind to Harry Styles' new single 'Sweet Creature'". NME . Retrieved 13 Oct 2020.
  15. ^ Luke Morgan, Britton (iv May 2017). "Harry Styles discusses new single 'Sweet Creature'". NME . Retrieved xiii Oct 2020.
  16. ^ Marissa Yard., Mulle (v May 2017). "Harry Styles Opens Up Well-nigh Who 'Sweet Brute' Is About". Teen Vogue . Retrieved 13 Oct 2020. ... 'Sweet Beast,' his second solo single ...
  17. ^ Carlin, Shannon (half dozen May 2017). "Twitter Is Accusing Harry Styles Of Copying The Beatles With His New Song 'Sweetness Animal'". Refinery29 . Retrieved 13 October 2020.
  18. ^ Powell, Emma (2 May 2017). "Harry Styles leaves fans in tears as he drops 'Grammy deserving' single Sweetness Creature". Evening Standard . Retrieved 13 October 2020. ... the legality of Styles' new single.
  19. ^ "Harry Styles Shares New Rail 'Sweet Creature'" (Press release). Sony Music. 2 May 2017. Retrieved 13 October 2020.
  20. ^ "Q4 Week: Within Sony's Q4 schedule". Music Week. 3 Oct 2017. Retrieved 13 October 2020.
  21. ^ Lipshutz, Jason (seven April 2017). "Harry Styles Volition Perform a Second New Song on 'Saturday Night Live'". Billboard . Retrieved 7 April 2017.
  22. ^ Harp, Justin (5 April 2017). "Harry Styles is making his solo U.k. debut on The Graham Norton Show". Digital Spy . Retrieved five April 2017.
  23. ^ MTV (27 April 2017). "Harry Styles Was Forced To Sit Through A Montage Which Included His Ten Gene Audience And Zayn Quitting The Band". MTV . Retrieved 19 May 2017.
  24. ^ Powell, Emma (ix May 2017). "Harry Styles performs on Today Testify". London Evening Standard . Retrieved 9 May 2017.
  25. ^ Reilly, Nicholas (thirteen May 2018). "Harry Styles announces last minute secret gig in London". Metro . Retrieved 27 August 2018.
  26. ^ Cragg, Michael (14 May 2017). "Harry Styles review – a boring start before a true star emerges for hysterical fans". The Guardian . Retrieved xix May 2017.
  27. ^ Horowitz, Steven J. (20 May 2017). "Lookout man Harry Styles Duet With Stevie Nicks During Hole-and-corner Prove at L.A.'s Troubadour". Billboard . Retrieved 27 August 2018.
  28. ^ Gaca, Anna (15 May 2017). "Lookout Harry Styles Record His Anthology in New Apple tree Music Documentary". Spin . Retrieved 19 May 2017.
  29. ^ CBS (25 April 2017). "Harry Styles Is Crashing on the Late Late Show Couch for a Week". CBS . Retrieved xiv May 2017.
  30. ^ Heller, Corinne (20 May 2017). "Harry Styles' Funniest Moments on The Late Late Testify With James Corden". E! . Retrieved 1 September 2018.
  31. ^ Bong, Sadie (8 June 2017). "Harry Styles Expands Tour Into 2018". Billboard . Retrieved 8 June 2017.
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  34. ^ a b c d Raguraman, Anjali (17 May 2017). "Soft rock with an edge". The Straits Times . Retrieved 25 June 2017.
  35. ^ a b Cooper, Leonie (12 May 2017). "Harry Styles-'Harry Styles' review". NME . Retrieved 12 May 2017.
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  37. ^ Vaziri, Aidin (24 May 2017). "Review: Harry Styles, 'Harry Styles'". San Francisco Chronicle . Retrieved 10 July 2017.
  38. ^ Fell, Mark (12 May 2017). "Is Harry Styles' album worth the wait?". BBC Music . Retrieved 21 May 2017.
  39. ^ "The Best Albums of 2022 (So Far)". Complex. 6 June 2017. Retrieved 7 June 2017.
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  43. ^ a b c Kot, Greg (14 May 2017). "Harry's solo manner derivative, lacking One Direction claw ability". The Chicago Tribune . Retrieved 8 July 2017.
  44. ^ a b Zaleski, Annie (15 May 2017). "Harry Styles takes a bold step forrard by leaning on the past in his solo debut". The A.V. Guild . Retrieved vii July 2017.
  45. ^ Spanos, Brittany (15 May 2017). "Harry Styles' Revealing New Album Doc: 10 Things We Learned". Rolling Stone . Retrieved 12 November 2017.
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